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The housings are made from PC-ABS, a material that combines polycarbonate and ABS for high rigidity, helping to reduce resonance in the ear emanating from the inside of the housing. The housing design also optimizes flow resistance in the operation of the diaphragm due to the twin acoustic ports, which function as vents. The housing enables precise, rounded bass reproduction. Additionally, the sound tube and ear buds made of two types of silicon material create a snug fit in the ear canal and a comfortable wearing experience. Thanks to their excellent sound isolation properties, the EPH-M100 prevents deterioration of sound quality due to sound leakage. The well-balanced design is characterized by the meticulous attention to detail that has gone into all parts involved in sound quality
EPH-M100 is equipped with the same newly developed driver unit as
that used in the high-end EPH-M200 model, with the same powerful
neodymium magnet.
In addition, the diaphragm employs Yamaha′s unique tangential edge
technology, combining stiffness and flexibility with an edge shape that
produces optimal movement of the diaphragm at the volume used and the
dome area of the vibrating section, allowing the EPH-M100 to give
exceptionally powerful bass reproduction as well as a detailed, natural
treble.
For the sound of EPH-M100, excellence was not only pursued in specification:
Yamaha also prioritized the quality of the sound in terms of auditory
feel during real-life use. Capitalizing on our experience as a musical
instrument maker, the earphones have been tuned using keen musical
sensibilities. The result is rich and detailed sound that allows the
listener not only to hear clearly the sounds of each instrument, but
also each note.
Fits to the shape of the ear canal
The EPH-M100 ear buds are made of two types of silicon material—one hard and one soft. The sound passage section that uses hard silicon combines flexibility and strength through serration. It retains its shape even when inserted into the ears and fits perfectly to the shape of the ear canal. In addition to creating a comfortable fit, the ear bud also prevents deterioration of sound quality due to sound leakage.
In addition to the standard S, M and L-sized ear buds that are included with the earphones, the EPH-M100 also comes with SS and LL sizes. All sizes offer excellent performance in terms of wearability. The shape of the different sized buds has been optimized by adjusting the ratio of the diameter to the height. They fit perfectly to the opening of the ear canal, achieving a comfortable fit without falling out even while walking or exercising. Naturally, they also minimize sound leakage, an important consideration when listening to music in public spaces such as on the train.
The 1.2-meter (47-1/4”) cord has an iPhone/iPod/iPad-compatible inline remote control/microphone you can use to select tracks and adjust the volume, as well as use for voice communications. The convenience and simplicity of the remote control/microphone means you can leave your player in your pocket or bag at all times.
The gently curved form of the body eschews excess ornamentation, expressing a simple design concept augmented only by Yamaha′s iconic tuning fork logo. The unpainted, polished finish renders an elegant finish that is resistant to scratches. Select your favorite color from our line-up of three choices.
The EPH-M100 comes with a carrying case made of a luxurious textured material that is fingerprint-resistant. The simple form allows you to store your earphones neatly and stylishly in your bag, convenient for when you are not using them or for carrying during travel.
Driver Type | Dynamic, Closed |
---|---|
Driver Unit | Φ15 mm (5/8”) |
Impedance | 28 ohms |
Maximum Input | 30 mW |
Sound Pressure Level | 106 dB |
Frequency Response | 20 Hz − 20 kHz |
Weight (with Cable) | 19.1g (0.67 oz) |
Cable Length | 1.2 m (47-1/4”) |
Connectors | 3.5 mm (1/8”) L-type mini stereo, 6.3 mm (1/4”) stereo |
Colours | Blue, Black, White |
Included | Protective carrying case; Cable (1.2 m/4 ft) with in-line re mote/mic; Gold-plate d 6.3 mm (1/4) adap ter; Five earpads |
Tip Casca | Casti Auditie |
- Pentru performante optime este necesara pozitionarea boxelor la o distanta de minim 30-40cm de peretele din spate pentru boxele cu bass-reflex in spate, pentru cele cu bass-reflex in fata, recomandam pozitionarea la o distanta de 10-20cm fata de peretele din spate.
- Boxele vor ajunge sa functioneze in parametrii recomandati de producator, dupa minim 50 de ore (ideal 100 ore) de functionare la volum mediu. In aceasta perioada de timp, de “rodaj a boxelor”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce boxele vor functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate. Exista boxe care necesita un „rodaj” mai amplu de minim 300 de ore mai ales in cazul celor care au difuzoare de kevlar, carbon sau alte materiale de acest tip. Boxele care se „rodeaza” cel mai repede sunt cele care au difuzoare de celuloza.
- Pentru performante optime este necesar „rodarea” echipamentului, In functie de complexitatea componentelor din aparatul dumneavoastra acesta poate dura intre 30-200 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca acesta este alimentat corect conform manualului de utilizare la 220-230 Volti si trece semnal audio sau video dupa caz prin el.
- Echipamentul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce echipamentul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
- Pentru performante optime este necesara „rodarea” cablurilor, In functie de complexitatea conductorului folosit, cat si geometriei acestuia, „rodajul” poate dura intre 30-100 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca va trece semnal audio sau video dupa caz prin el.
- Cablul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, pe masura ce cablul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
Pentru detalii privind aceste aspecte de rodaj si nu numai, va rugam sa ne consultati!