Boxe Audio Solutions Figaro L2 Bespoke

72.950 lei / Pereche

La comandă / În stoc furnizor

Boxe Audio Solutions Figaro L2 Bespoke

72.950 lei / Pereche

Disponibilitate: În Stoc Furnizor * Verificati disponibilitatea produsului! SKU: AV701COP2233271 Categorii: ,


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    Descriere

    Toata gama de produse FIGARO acum se poate acum customiza dupa bunul plac, participand si alegand dupa gustul tau, direct la producerea boxei tale!

    Se poate alege dintr-o paleta generoasa de culori, urmatoarele aspecte: fata boxei, spatele boxei, capacul boxei, culoarea ineleleor din jurul difuzoarelor, terminalele de boxe, cablarea interna a boxei, astfel incat, la final, boxa ta va fi unica, creata doar pentru tine de catre inginerii de la AUDIO SOLUTIONS

    In acest sens, aveti aici configuratorul AUDIO SOLUTIONS si ne dai doar codul produsului.

    Codul unic al produsul customizat, il veti regasi in momentul in care dati click pe „Share Configuration”

     

     

    Meet the all-new Figaro! An evolution of our most successful speaker series. Five years have passed since the original Figaro was introduced in 2018 and yet we are pushing the limits once again. The new Figaro is vastly improved in all aspects. Embrace a new modern design with brass metal accents and satin color options. We give you a remarkable tandem of performance and design where science meets art.

     

    DESCRIPTION

    Figaro! maintains timeless AudioSolutions design. Designed to be easily driven by most amplifiers and with the ability to be placed very close to the wall. Figaro’s task is to make your life easier with as simple as possible setup, cable, and amplifier matching. We wish you many great moments while listening to your Figaro.

     

    FEATURES

    Three-way speaker system designed with Mini-Horn loaded silk dome tweeter and our unique midrange driver which works in extended mid-band effectively making it an Extended-Band driver, allowing us to push crossover frequencies of the drivers further away from the most critical area for the human ear – 1000-1500Hz and thus reduce crossover distortions and perception of them. Two whole new re-designed ER (Extra Rigid) hard paper cone bass drivers deliver faster and deeper bass response and improve overall sound clarity.

    The Cabinet-In-a-Cabinet enclosure system taken from upper scale Virtuoso series contributes to a complex closed system that eliminates unwanted resonances by turning acoustical energy into heat, allowing all drivers to perform with precision and dynamics.

    Figaro features outriggers with height-adjustable spikes, WBT NextGen connection terminals with bi-amping for models L and XL, and also a whole new 6 unique never seen before satin finishes with brass metal accents.

     

    MINI-HORN LOADING

    Figaro utilizes a Mini-Horn loading technology to cope with the infamous soft domes problem – cone breakup and cone walk. Cone breakup and walk happens when a soft dome tweeter is being driven hard at high signal levels. Distortions rise exponentially because:

    a) when a certain point in signal level and thus dome acceleration/amplitude is reached, the center part of the dome flexes in an uncontrolled fashion due to the silk’s soft nature

    b) differences in air pressure behind the dome and in front of the dome creates a nonlinear environment and overcome suspension ability to prevent axial movement of the cone

    Our Mini-Horn is based on acoustical dampening which happens at the frontal dome area. We carefully measure at which frequencies the dome starts to flex and emit an avalanche of distortions. Mini-Horn then is designed and manufactured according to desired specifications to dampen those frequencies. The result is a proportional dampening of the tweeters’ movement. The louder it plays the more dampening and air pressure on the frontal area it gets from its own emitted sound. It is described as acoustical impedance and is highly dependent on the Mini-Horn’s shape. Another positive by-product of this process is that Mini-Horn adds sensitivity and thus the efficiency of the driver.

     

    EXTENDED BAND MIDRANGE

    The human ear has uneven sensitivity to different frequencies. We are naturally less sensitive to high frequencies and especially to low frequencies. The exception is sensitivity to mid frequencies in the 1000-2000Hz band due to evolution. Simply put – in nature, the sounds of life-threatening events lie more or less in 1000-2000Hz diapason, so naturally, we are most sensitive to that so we could stay alert. The downside of this phenomenon in this rather safe modern world is that we can hear and pinpoint the slightest imperfections in reproduced sound at those frequencies. And imperfections in sound reproduction are called distortions.

    Most of the manufacturers calculate crossover points in exactly this area of 1000-2000Hz. Since each driver has its natural spectrum of distortions we actually can hear the transition from one driver to another, let alone an additional distortions caused by the crossover phase shift. The resulting sound is described as an unnatural or multi-way sound. It is not possible to completely eliminate natural-born driver’s distortions or the phase shift in crossover which is mathematically tied to how db/oct crossover is calculated. The only way to fight this is to utilize crossover points away from this region of 1-2kHz. For that reason, we created an Extended Band Midrange driver. Crossover points of 400-4000Hz are one octave away from the sensitive band. Not only this solution helps with crossover distortion perception but the listener gets uniform, unchopped sound coming from one driver with virtually zero phase shift. Homogenous sound in our opinion is one of the biggest goals in the audio industry.

     

    CABINET-IN-A-CABINET SYSTEM

    The new Figaro! speakers share a Cabinet-In-a-Cabinet enclosure design. This system is based on two separate enclosures – an inner cabinet and an outer cabinet bonded together by a thin layer of Polyurethane. The inner cabinet is manufactured of a lightweight yet rigid material that controls primary vibrations by absorbing acoustical power coming from the drivers. Then a thin layer of viscous Polyurethane situated in between the inner and outer cabinets acts as a dampening layer which converts vibrations born in the inner cabinet to heat. The residue of vibrations is then dampened by the outer cabinet which is manufactured of a much heavier and less dense material that acts as a mass damper.

     

    ER CONE BASS DRIVERS

    Second generation Figaro speaker utilizes re-designed bass drivers with ER paper cones. Er stands for Extra Rigid paper. It is actually visible on the cone surface as flakes of hard pulp and fibers and is natural to rigid cones. ER paper cones were chosen due to all the pros of traditional paper cones and the pros of hard material cones. Hard cones (metal, ceramic, etc.) provide uniform push-pull movement where all cone’s points act as a uniform piston which is desirable. Con is that hard cones have the potential to have early break-up points and ringing due to a lack of dampening properties inside the material itself. Paper on the other hand does not have break-up points as it is quite soft and flexible but it does not act as a piston, and usually, the edge of the paper cone are fluttering, and all cone is flexing. Having positive properties of paper and introducing hardening materials like sturdy fibers and hard pulp gives us a unique cone that acts as a piston, but at the same time does not have ringing or early cone breakup points. ER cones allowed us to introduce new piston-like bass drivers and of course our Extended Band Midrange.

     

    EXCLUSIVE PERSONALIZATION PROGRAM

    AudioSolutions’ Exclusive Personalisation team is ready to help you to customize your speaker. Please address us for custom coloring or style. We can do small changes and we can make completely tailor-made speakers. Our team works in conjunction with architects, and designers and is ready to make a one-of-one product for your living room.

     

    FINISHES

    We offer 3 Standard trim high gloss colors and 4 colors of „Bespoke” trim. A modern-looking „Bespoke” satin color with brass accents looks stylish and refreshing, matching nowadays modern living rooms. A completely new approach to color and material matching allows us to offer a truly bespoke look for your speaker.

    Standard trim

    Pearl white

    Zink grey

    Dark grey

    Bespoke (aveti aici configuratorul AUDIO SOLUTIONS si ne dai doar codul produsului.)

    Pearl white

    Battleship Grey metallic

    Fern Green metallic

    Azure Blue satin

     

    Awards & Reviews

    HiFi Voice review and an award. Please click here…

    HiFi Class review and an award (page 59). Please click here…

    Mono & Stereo review and an award. Please click here…

    Awards 1
    Awards 2
    Awards 3
    Awards 4

    Dimensions (HxWxD) : 1240mm x 336mm x 581mm; 48.82 x 13.23 x 22.87in

    Weight : 75 kg/165 lbs each

    Shipping weight : 82 kg/180 lbs each

    Sensitivity : 92 dB @ 2.83V 1m

    Suggested amp power : 20-500 W;

    Impedance : nominal 4,0 ohms

    Crossover frequency : 400 Hz; 4000 Hz

    Frequency response (in-room environment) : 24-25000 Hz

    Drivers : 19mm silk dome tweeter, 18.3cm ER paper cone mid, two 23.3cm ER paper cone bass drivers

    Informații suplimentare

    Producător

    Disponibilitate

    În Stoc Furnizor * Verificati disponibilitatea produsului!

    Unitate Pret

    Pereche

    Explicatii in ceea ce priveste rodajul echipamentelor, cat si al cablurilor, asezarea optima a echipamentelor in camera de auditie, importanta acusticii camerei si nu in ultimul rand sistemul de alimentare a intregului echipament:

    PENTRU BOXE:

    - Pentru performante optime este necesara pozitionarea boxelor la o distanta de minim 30-40cm de peretele din spate pentru boxele cu bass-reflex in spate, pentru cele cu bass-reflex in fata, recomandam pozitionarea la o distanta de 10-20cm fata de peretele din spate, dar totodata la o distanta de cel putin 50cm fata de peretii laterali. Tineti cont de faptul ca orice piesa de mobilier din incapere, joaca rol de absorbtie fonica, dar si de difuzie fonica daca acestea din urma sunt din materiale ceramica sau oglinzi, geamuri sau alt material reflectorizant. In acest sens, gasiti pe blogul nostru, multiple articole care va pot ajuta

    - Boxele vor ajunge sa functioneze in parametrii recomandati de producator, dupa minim 50 de ore (ideal 100 ore) de functionare la volum mediu. In aceasta perioada de timp, de “rodaj a boxelor”, sunetul va fi la inceput mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce boxele vor functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate. Exista boxe care necesita un „rodaj” mai amplu de minim 300 de ore mai ales in cazul celor care au difuzoare de kevlar, carbon sau alte materiale de acest tip. Boxele care se „rodeaza” cel mai repede sunt cele care au difuzoare de celuloza.

     

     

    Imbunatatirea sunetului unui sistem audio stereo (Partea I)

    Imbunatatirea sunetului unui sistem audio stereo – (Partea II)

     

    PENTRU AMPLIFICATOARE, DAC-URI, PREAMPLIFICATOARE, RECEIVER STEREO & HOME CINEMA, SURSE DIGITALE AUDIO-VIDEO:

    - Pentru performante optime este necesar „rodarea” echipamentului, In functie de complexitatea componentelor din aparatul dumneavoastra acesta poate dura intre 30-200 ore.

    - Rodajul se face la volum minim, fiind astfel suficient faptul ca acesta este alimentat corect conform manualului de utilizare la 220-230 Volti si trece semnal audio sau video dupa caz prin el.

    - Echipamentul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce echipamentul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.

    - In ceea ce priveste echipamentul video precum videoproiector, TV, media player, blueray player, necesita un "rodaj" de cel putin 50 de ore. Lipsa acestuia nu va poate oferi maxim de performanta. "Rodajul" se efectueaza prin simpla utilizare a acestuia, intr-un mod conform specificatiilor mentionate de producator.

     

    PENTRU CABLURI:

    - Pentru performante optime este necesara „rodarea” cablurilor, In functie de complexitatea conductorului folosit, cat si geometriei acestuia, „rodajul” poate dura intre 30-100 ore.

    - Rodajul se face la volum minim, fiind astfel suficient faptul ca va trece semnal audio sau video dupa caz prin el.

    - Cablul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, pe masura ce cablul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.

     

     

    Articole indrumatoare:

    Dictionar Audiofil

    Tratamentul Acustic si Izolarea Fonica

    Pentru un sistem echilibrat, trebuie tinut cont pe langa asezarea corecta a boxelor in incapere, al echipamentelor, sistemul de alimentare al acestora, tinand cont de instalatia electrica a locatiei.

    Pentru detalii privind aceste aspecte de rodaj si nu numai, va rugam sa ne consultati!

     

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