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ADC DAC Headphone Amplifier Balanced SteadyClock FS 768kHz DSD256
The ADC / DAC RME ADI-2 Pro FS R Black Edition is the combination of several professional quality devices in a single package. An extremely compact unit with great functionality, excellent technical performance, clear and transparent sound reproduction and two extremely powerful headphone outputs. The ADI-2 Pro FS R Black Edition includes an AK4493 conversion chip and a handy remote control for remote control of the device.
The RME ADI-2 Pro FS R Black Edition in a few key points:
Extremely versatile, the ADI-2 Pro FS R Black Edition offers balanced and unbalanced inputs and outputs, two Extreme Power headphone outputs, a SteadyClock III, hardware input and output level control, DSP-based signal processing, external power supply, USB input and support for sampling rates up to 768kHz in PCM and DSD recording and playback up to DSD256 (11.2MHz).
The ADI-2 Pro FS R Black Edition features two servo-symmetric analog inputs on XLR / Jack 6.35mm TRS combo connectors, two separate balanced and unbalanced outputs on XLR and Jack 6.35mm TS, two Extreme Power stereo headphone outputs on the front panel and an ADAT-compatible optical SPDIF input/output. The device also includes SPDIF Coaxial (RCA) and AES input/output (XLR) via a 9-pin splitter cable provided. This complete panel of inputs and outputs allows this ADI-2 Pro FS R Black Edition an impressive flexibility of use.
The USB-B 2.0 port offers full compatibility (UAC 2), including the ability to connect iOS devices. This USB port also allows you to update the device's firmware. The ADI-2 Pro FS R Black Edition uses an external switched-mode power supply with lockable connector but can also be powered by a battery for mobile use.
As a computer interface, the ADI-2 Pro FS R Black Edition offers a stereo mode (2 inputs / 2 outputs) and a multi-channel mode (6 inputs / 8 outputs). Mac OS X compatibility is native. On Windows, simply install the RME MADIface drivers for full ASIO and WDM compatibility.
Aiming for the most neutral and faithful sound possible, every detail of the ADI-2 Pro FS R Black Edition has been designed and adjusted. The main PCB has a 10-layer design with copper circuits, guaranteeing undisturbed sound and allowing efficient power supply to the different stages. Internal power stages and high-precision controllers use a very low-noise design to avoid degrading performance on the power rails. The selected SoundPlus operational amplifiers maintain high SNR, low THD and high scanning speed in all situations. The entire analog circuit is symmetrical, balanced and DC coupled. The only capacitors in the signal path provide DC protection at the analog input connectors and have been carefully selected to avoid any impact on the sound.
The 4-channel Analog-to-Digital (ADC) converter, supporting 768kHz PCM and DSD recording, is used in a dual mono design with an improved signal-to-noise ratio of 3dB. Two premium DACs are used for two separate stereo outputs. Internal audio processing using equalizers, crossfeed and spectrum analysis is provided by a high-performance 2.17 Giga FLOPS (2882 MIPS) DSP, delivering enough computing power to operate even at sampling rates of 768kHz.
For ease of use, a high quality SRC (Sample Rate Converter) chip has been added, switchable to AES or SPDIF inputs, eliminating any potential clock problems. The latest version of RME clock technology, SteadyClock III, ensures perfect jitter reduction and a stable clock signal, whether you use internal or external clocks.
RME has integrated into its ADI-2 Pro FS R Black Edition many unique features not available on other devices on the market, such as a 5-band parametric equalizer, bass/treble level control with quick access, binaural crossfeed, adjustable loudness filter, selectable ADC/DAC filters, 4 discrete I/O levels, automatic reference level adjustment, automatic balance mode and much more. The display not only allows you to check the device, but also displays warnings and advice.
Professional features are also available, such as Mid/Side processing, stereo width and phase inversion management to full control and storage of all available parameters, such as the RME spectrum analyzer, a 30-band biquad filtered analysis tool that provides a perfect complement to the high resolution IPS display.
RME engineers have designed a headphone output stage to take full advantage of the DAC conversion quality, including the use of low impedance headphones. The Extreme Power architecture allows an output impedance of only 0.1Ω, a maximum output level of +22dBu and an output power of 1.5W per channel. The two completely separate headphone outputs provide an SNR of 120dBA and a THD well below -100dB (0.001%) even at full power for detailed, accurate and clear reproduction. Extreme Power technology also includes a current limiter, power monitoring, overload detection and overvoltage protection. High or low power modes are also available, allowing the ADI-2 Pro FS R Black Edition to work with both IEMs and planar headsets.
With 2 stereo headphone outputs, the ADI-2 Pro FS R Black Edition can also be used in balanced mode. RME has developed a new advanced symmetric operating mode for the ADI-2 Pro, eliminating many of the limitations of a standard symmetric link. This advanced balanced mode delivers a balanced signal directly from the DAC to the headphone outputs with a 3dB gain at the SNR, an optimized frequency response, an extremely low output impedance (0.2Ω) and a maximum output level of +28dBu.
The ADI-2 Pro is the reference ADC/DAC converter, USB DAC, USB interface and RME headphone amplifier. Its many application possibilities make it an excellent choice for a wide variety of applications, whether it is for the individual who appreciates innovative and high quality solutions, the sound engineer looking for a reference ADC/DAC converter or the audiophile looking for a flexible solution that integrates a high-end headphone amplifier.
With the SteadyClock FS, the ADI-2 Pro FS R Black Edition incorporates the latest RME clock and jitter reduction technology. Based on a femtosecond clock, SteadyClock FS technology reduces the jitter of the ADI-2 Pro FS R Black Edition to an extremely low level.
The ADI-2 Pro FS R Black Edition also integrates the AutoDark Mode of the ADI-2 DAC. It is thus possible to deactivate the lighting elements of the device if necessary, with the exception of the ON/OFF button, whose lighting makes it possible, particularly for use in the studio, to always know whether the device is in operation or not.
The ADI-2 Pro FS R Black Edition is delivered with a remote control to control the unit remotely. It includes functions such as turning the ADI-2 Pro FS R Black Edition on and off, volume adjustment, bass, midrange and treble control, source selection (optical, coaxial, USB), activation or deactivation of Mute, Loudness and EQ modes. In addition, four programmable buttons provide access to 52 different functions for maximum flexibility.
Important: Conținutul acestei descrieri de produs a fost tradus automat și poate conține erori atât de vocabular, cât și de sintaxă și gramatică.
Specificatii | Product type ADC / DAC Analog inputs Balanced XLR (same connectors as Jack 6.35mm) Balanced TRS Jack 6.35mm (same connectors as XLR) Analog outputs Balanced XLR Single-ended TS Jack 6.35mm TRS Jack 6.35mm headphone output (can operate in balanced or single-ended mode) Digital inputs 1x Optical Toslink Digital outputs 1x SPDIF Optical Toslink (ADAT compatible) Digital inputs/ outputs SPDIF Optical and XLR AES-3 (via included BO968 digital splitter cable) ANALOG INPUT : XLR Servo-Balanced Adjustable input sensitiviy +24dBu +19dBu +13dBu +4dBu @ 0dBfs SNR @ +13/19/24dBu : 120.xdB RMS unweighted, 124.xdBA @ +4dBU : 119dB RMS unweighted, 123dBA Frequency response @ 44.1kHz, -0.1dB : 5Hz - 20.5kHz @ 96kHz, -0.5dB : 3Hz - 45.5kHz @ 192kHz, -1dB : 2Hz - 92.7kHz @ 384kHz, -1dB : < 1Hz - 124kHz @ 768kHz, -3dB : < 1Hz - 180kHz THD @ -1dBFS : -116dB, 0.00016% @ -10dBFS : -125dB, 0.000056% THD+N @ -1dBFS -112dB, 0.00025% Channel separation > 110dB ANALOG INPUT : JACK 6.35MM TRS Servo-Balanced Adjustable input sensitivity +24dBu +19dBu +13dBu +4dBu @ 0dBfs SNR @ +13/19/24dBu : 120.xdB RMS unweighted, 124.xdBA @ +4dBU : 119dB RMS unweighted, 123dBA Frequency response @ 44.1kHz, -0.1dB : 5Hz - 20.5kHz @ 96kHz, -0.5dB : 3Hz - 45.5kHz @ 192kHz, -1dB : 2Hz - 92.7kHz @ 384kHz, -1dB : < 1Hz - 124kHz @ 768kHz, -3dB : < 1Hz - 180kHz THD @ -1dBFS -116dB, 0.00016% THD+N @ -1dBFS -112dB, 0.00025% Channel separation > 110dB TS and RCA compatible ANALOG OUTPUT : XLR Adjustable output sensitivity +24dBu +19dBu +13dBu +4dBu @ 0dBfs SNR @ +13/19/24dBu : 120dB RMS unweighted, 124dBA @ +4dBU : 117dB RMS unweighted, 120dBA Frequency response @ 44.1kHz, -0.1dB : 0Hz - 20.2kHz @ 96kHz, -0.5dB : 0Hz - 44.9kHz @ 192kHz, -1dB : 0Hz - 88kHz @ 384kHz, -1dB : 0Hz - 115kHz @ 768kHz, -3dB : 0Hz - 109kHz THD @ 0dBFS : -120dB, 0.0001% THD+N @ 0dBFS : -115dB, 0.00018% Channel separation > 110dB Output impedance Balanced : 200Ω Single-ended : 100Ω ANALOG OUTPUT : JACK 6.35MM TS (SINGLE-ENDED) Adjustable output sensitivity +24dBu +19dBu +13dBu +4dBu @ 0dBfs Max. output level +19dBu SNR @ +19dBu : 120dB RMS unweighted, 123dBA @ +13dBu : 118dB RMS unweighted, 121dBA @ +4dBu : 115dB RMS unweighted, 118dBA Frequency response @ 44.1kHz, -0.1dB : 0Hz - 20.2kHz @ 96kHz, -0.5dB : 0Hz - 44.9kHz @ 192kHz, -1dB : 0Hz - 88kHz @ 384kHz, -1dB : 0Hz - 115kHz @ 768kHz, -3dB : 0Hz - 109kHz THD @ 0dBFS : -120dB, 0.0001% THD+N @ 0dBFS : -115dB, 0.00018% Channel separation > 110dB Output impedance 100Ω ANALOG OUTPUT : HEADPHONE OUTPUT 1/2 JACK 6.35MM TRS (SINGLE-ENDED) Adjustable output sensitivity +24dBu +19dBu +13dBu +4dBu @ 0dBFS Max Power @ 0.001% THD : 1.5W per channel Output level @ 0dBFS, reference level +19dBu, load 100Ω or up : +22dBu (10V) @ 0dBFS, reference level +4dBu, load 8Ω or up : +7dBu (1.73V) SNR @ +22dBu : 120dB RMS unweighted, 123dBA @ +7dBu : 118dB RMS unweighted, 121dBA Frequency response @ 44.1kHz, -0.1dB : 0Hz - 20.2kHz @ 96kHz, -0.5dB : 0Hz - 44.9kHz @ 192kHz, -1dB : 0Hz - 88kHz @ 384kHz, -1dB : 0Hz - 115kHz @ 768kHz, -3dB : 0Hz - 109kHz THD @ +18dBu, load 32Ω, 1.2W : -110dB, 0.0003% @ +14dBu, load 16Ω, 0.94W : -110dB, 0.0003% THD+N @ +18dBu, load 32Ω : -107dB, 0.00045% Channel separation > 110dB Output impedance 0.1Ω ANALOG OUTPUT : HEADPHONE OUTPUT 3/4 JACK 6.35MM TRS (SINGLE-ENDED) Adjustable output sensitivity +24dBu +19dBu +13dBu +4dBu @ 0dBfs Max Power @ 0.001% THD : 1.5W per channel Output level @ 0dBFS, Hi-Power Off : +7dBu @ 0dBFS, Hi-Power On : +22dBu SNR @ +22dBu : 117dB RMS unweighted, 120dBA @ +7dBu : 114dB RMS unweighted, 118dBA Frequency response @ 44.1kHz, -0.1dB : 0Hz - 20.2kHz @ 96kHz, -0.5dB : 0Hz - 44.9kHz @ 192kHz, -1dB : 0Hz - 88kHz @ 384kHz, -1dB : 0Hz - 115kHz @ 768kHz, -3dB : 0Hz - 109kHz THD @ +18dBu, load 32Ω, 1.2W : -110dB, 0.0003% @ +14dBu, load 16Ω, 0.94W : -110dB THD+N @ +18dBu load 32Ω -107dB, 0.00045% Channel separation > 110dB Output impedance 0.1Ω ANALOG OUTPUT : BALANCED MODE HEADPHONE OUTPUT Adjustable output sensitivity +24dBu +19dBu +13dBu +4dBu @ 0dBfs Output level @ 0dBFS, Hi-Power On, load 150 Ohm or up : +28dBu (19.5V) @ 0dBFS, Hi-Power Off, load 8 Ohm or up : +13dBu (3.46V) SNR @ +28dBu : 123dB RMS unweighted, 126dBA @ +13dBu : 121dB RMS unweighted, 125dBA Frequency response @ 44.1kHz, -0.1dB : 0Hz - 20.2kHz @ 96kHz, -0.5dB : 0Hz - 44.9kHz @ 192kHz, -1dB : 0Hz - 88kHz @ 384kHz, -1dB : 0Hz - 115kHz @ 768kHz, -3dB : 0Hz - 109kHz THD @ +18dBu, load 32Ω, 1.2W : -110dB, 0.0003% @ +14dBu, load 16Ω, 0.94W : -110dB THD+N @ +18dBu charge 32Ω -107dB, 0.00045% Channel separation > 110dB Output impedance 0.2Ω Max power @ 0.001% THD 2x 2.9W DIGITAL INPUTS : GENERAL Lock range 28kHz - 200kHz Jitter suppression > 50dB (2.4kHz) 9 Pins connector compatibility (via included BO968 cable) AES/EBU 1x Galvanically isolated balanced XLR (AES3-1992) SPDIF (IEC 60958) Clocks Internal AES input SPDIF inpu ADAT input External clocks jitter suppression > 50dB (2.4kHz) External clocks supported sampling rates 28kHz up to 200kHz Internal clocks 44.1kHz up to 768kHz DIGITAL INPUT : SPDIF COAXIAL (VIA INCLUDED BO968 CABLE) Connector 1x RCA Balanced IEC 60958 compliant AES/EBU Compatible (AES3-1992) AES/EBU compliant AES3-1992 DIGITAL INPUT : SPDIF OPTICAL Connector 1x Optical IEC 60958 compliant ADAT Compatible DIGITAL OUTPUT : AES/EBU (VIA INCLUDED BO968 CABLE) Connector 1x Galvanically isolated balanced XLR AES3-1992 compliant Sampling rate 28kHz - 200kHz DIGITAL OUTPUT : SPDIF COAXIAL (VIA INCLUDED BO968 CABLE) Connector 1x RCA IEC 60958 compliant Sampling rate 28kHz - 200kHz DIGITAL OUTPUT : SPDIF OPTICAL Connector 1x Optical IEC 60958 compliant Sampling rate 28kHz - 200kHz GENERAL Power supply (included) 100-240V AC, 2A, 24W Standby consumption 50mW Max. consumption 22W Dimensions 215 x 130mm x 44mm Color Silver and black Package 1x RME ADI-2 Pro FS R Black Edition 1x Alimentation 1x Télécommande 1x Câble BO968 Digital Breakout (9 pins D-sub vers 2x XLR et 2x RCA) |
- Pentru performante optime este necesara pozitionarea boxelor la o distanta de minim 30-40cm de peretele din spate pentru boxele cu bass-reflex in spate, pentru cele cu bass-reflex in fata, recomandam pozitionarea la o distanta de 10-20cm fata de peretele din spate.
- Boxele vor ajunge sa functioneze in parametrii recomandati de producator, dupa minim 50 de ore (ideal 100 ore) de functionare la volum mediu. In aceasta perioada de timp, de “rodaj a boxelor”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce boxele vor functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate. Exista boxe care necesita un „rodaj” mai amplu de minim 300 de ore mai ales in cazul celor care au difuzoare de kevlar, carbon sau alte materiale de acest tip. Boxele care se „rodeaza” cel mai repede sunt cele care au difuzoare de celuloza.
- Pentru performante optime este necesar „rodarea” echipamentului, In functie de complexitatea componentelor din aparatul dumneavoastra acesta poate dura intre 30-200 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca acesta este alimentat corect conform manualului de utilizare la 220-230 Volti si trece semnal audio sau video dupa caz prin el.
- Echipamentul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce echipamentul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
- Pentru performante optime este necesara „rodarea” cablurilor, In functie de complexitatea conductorului folosit, cat si geometriei acestuia, „rodajul” poate dura intre 30-100 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca va trece semnal audio sau video dupa caz prin el.
- Cablul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, pe masura ce cablul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
Pentru detalii privind aceste aspecte de rodaj si nu numai, va rugam sa ne consultati!